emiofthecity:

bookshelfporn:

 

<3

theparisreview:

David Foster Wallace on Ambition—an animated short by Blank on Blank.

millionsmillions:

Why is it “The Waste Land” and not “The Wasteland”?
[Photo: Ezra Pound’s edits of T. S. Eliot’s original.]

millionsmillions:

Why is it “The Waste Land” and not “The Wasteland”?

[Photo: Ezra Pound’s edits of T. S. Eliot’s original.]

"How to account for any possible perceived dearth of contemporary Catholic literature and art? I have learned the problem is one of definition. In the same way that paradox is endemic to Catholic doctrine, Catholic imaginative literature remains a conundrum to many critics, both Catholic and secular."

Nick Ripatrazone, Counter and Strange: Contemporary Catholic Literature” (via millionsmillions)

I was quite surprised to read that the author of this piece was writing in part to respond to my 2011 essay titled “Where have all the Catholic Writers Gone?”

lucreciasline:

Prayers for the victims of the Boston Bombings and for all Bostonians.


Mahler Symphony #9, 4th movement, performed by the Chicago Symphony Orchestra, conducted by Sir Georg Solti (1 of 2) and 2 of 2 


Vid DumboDog

theparisreview:

T. S. Eliot meets Igor Stravinsky. (via)

theparisreview:

T. S. Eliot meets Igor Stravinsky. (via)

unypl:

“Notes from the Underground,” by Fyodor DostoyevskyBorrow I Read

unypl:

“Notes from the Underground,” by Fyodor Dostoyevsky
Borrow I Read

(Source: secretcinema2)

simena:

Oskar Bergman

simena:

Oskar Bergman

(via lettersfromnaoko)

harperperennial:

incidentalcomics:

How to Make Write
Illustration for the 3/31 NYT Sunday Review and NYT Opinionator Draft essay “Those Irritating Verbs-as-Nouns.” Thanks to AD Matt Dorfman!

The way we do the speak now.

harperperennial:

incidentalcomics:

How to Make Write

Illustration for the 3/31 NYT Sunday Review and NYT Opinionator Draft essay “Those Irritating Verbs-as-Nouns.” Thanks to AD Matt Dorfman!

The way we do the speak now.

(via prairielights)